COME eau de parfum
COME: the green leaves of the fig and its roots. COME: the green field of helicrysum and bergamot. COME: the tea’s and civet’s verdigris. COME: the petrol green of smoke and labdanum. COME: the benzoin resin and oud’s emerald green. COME: the racing green of tonka bean and moss. COME: the patchouli’s camouflage green and the honey’s jade green. COME: the vanilla and jasmine’s celadon green. COME: the ylang ylang’s beryl green and the juniper’s malachite green.
COME is a dark ode to nature that explores mystical hidden aspects of herbal and resinous territories where smoke and animalic notes play in ritual circles.
COME eau de parfum
COME explores the green odors: fragile, layered, elusive, complex and shifting.
The colour is a matter of perception not a definition and in this composition the green breaks down and rebuilds itself in a catalogue of olfactive metaphors.
COME welcomes you with the bright lights of bergamot and helichrysum, evoking a green wet lawn. COME burgeons and take shape: the green thickens in the fig’s leaves that fell on the grass, the green turns darker with tea leaves and civet’s aroma, the green metal rusts, while the smoke and the labdanum are drawing a petrol green, resinous and deep.
COME vibrates between contrasts and harmonies: the balsamic sweetness of benzoin and the earthy intensity of oud outline an emerald green, rich and forgotten. The tonka bean and the musk unveil new nuances, a dustier and elegant green.
COME is a palpable green: the patchouli is mimetic and vegetal, the honey melts while the vanilla and the jasmine creates a celadon green, milky and thin. The ylang ylang flowers together with the juniper wood to generate a vast and luminous space.
COME is an open question, a declaration of perceptive freedom, chromatic and olfactive.
Key notes: fig, bergamot, olibanum, cade, benzoin, black tea, labdanum, oud, helichrysum, tonka bean, jasmine, vanilla, civet, patchouli, honey, musk, ylang ylang
